Let others better mould the running mass
Of metals, and inform the breathing brass,
And soften into flesh a marble face; 
Plead better at the bar; describe the skies,

And when the stars descend, and when they rise.
But, Rome! ’tis thine alone, with awful sway,
To rule mankind, and make the world obey,
Disposing peace and war thy own majestic way;
To tame the proud, the fettered slave to free:
These are imperial arts, and worthy thee.

Let others better mould the running mass
Of metals, and inform the breathing brass,
And soften into flesh a marble face; 
Plead better at the bar; describe the skies,

And when the stars descend, and when they rise.
But, Rome! ’tis thine alone, with awful sway,
To rule mankind, and make the world obey,
Disposing peace and war thy own majestic way;
To tame the proud, the fettered slave to free:
These are imperial arts, and worthy thee.

I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader’s mind. No matter how many times we reopen “King Lear,” never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert’s father’s timely tear.
Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.....
Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We would prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.

Let others better mould the running mass
Of metals, and inform the breathing brass,
And soften into flesh a marble face; 
Plead better at the bar; describe the skies,

And when the stars descend, and when they rise.
But, Rome! ’tis thine alone, with awful sway,
To rule mankind, and make the world obey,
Disposing peace and war thy own majestic way;
To tame the proud, the fettered slave to free:
These are imperial arts, and worthy thee.

I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader’s mind. No matter how many times we reopen “King Lear,” never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert’s father’s timely tear.
Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.....
Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We would prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.

Let others better mould the running mass
Of metals, and inform the breathing brass,
And soften into flesh a marble face; 
Plead better at the bar; describe the skies,

And when the stars descend, and when they rise.
But, Rome! ’tis thine alone, with awful sway,
To rule mankind, and make the world obey,
Disposing peace and war thy own majestic way;
To tame the proud, the fettered slave to free:
These are imperial arts, and worthy thee.

Which of the following most accurately describes the passage?

In the question above, select the option that is best.

Let others better mould the running mass
Of metals, and inform the breathing brass,
And soften into flesh a marble face; 
Plead better at the bar; describe the skies,

And when the stars descend, and when they rise.
But, Rome! ’tis thine alone, with awful sway,
To rule mankind, and make the world obey,
Disposing peace and war thy own majestic way;
To tame the proud, the fettered slave to free:
These are imperial arts, and worthy thee.

Let others better mould the running mass
Of metals, and inform the breathing brass,
And soften into flesh a marble face; 
Plead better at the bar; describe the skies,

And when the stars descend, and when they rise.
But, Rome! ’tis thine alone, with awful sway,
To rule mankind, and make the world obey,
Disposing peace and war thy own majestic way;
To tame the proud, the fettered slave to free:
These are imperial arts, and worthy thee.

I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader’s mind. No matter how many times we reopen “King Lear,” never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert’s father’s timely tear.
Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.....
Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We would prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.

I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader’s mind. No matter how many times we reopen “King Lear,” never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert’s father’s timely tear.
Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.....
Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We would prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.